Diana Vishneva
Vishneva Stretches—As Far as She Can; City Ballet Up, Down in Perma-Crisis
Nina Alovert
Diana Vishneva in F.L.O.W. (For Love of Women)..
Why would the world’s foremost classical ballerina choose to turn up in New York leading a small company performing three works newly choreographed on and for her? Idealism? Vanity? Artistic ambition? Chutzpah? Her program was called “Beauty in Motion,” a real misnomer. How about “Vishneva Goes Contempo”? Or “A Long Night at the City Center”? read more »
A.B.T. vs. the Kirov: A Tale of Two Giselles
Mira
Paloma Herrera in the title role of A.B.T.
You know where you are with Giselle. read more »
Cunningham's Boundless Ocean; A First Giselle, and a Last
Rosalie O'Connor
McKerrow as Giselle, in her farewell performance.
We know how Merce Cunningham works and how he thinks—we've been told, over and over again, by read more »
Cunningham's Boundless Ocean; A First Giselle, and a Last
We know how Merce Cunningham works and how he thinks—we've been told, over and over again, by him read more »
A.B.T.'s Boys-and Vishneva; The Kirov's Leaky Corsaire
That American Ballet Theatre is today a more interesting company than New York City Ballet is an ast read more »
A.B.T.'s Boys—and Vishneva; The Kirov's Leaky Corsaire
Erin Baiano
Diana Vishneva in Swan Lake.
That
American Ballet Theatre is today a more interesting company than New York City
read more »
Big Traffic Jam at A.B.T.: Not Enough Roles to Go Around
The American Ballet Theatre spring season ended in a flock of Swan Lakes -11 of them. read more »
