<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://www.observer.com" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
 <title>On the Town</title>
 <link>http://www.observer.com/blog/36029/%2A/feed</link>
 <description>Recent posts</description>
 <language>en</language>
<item>
 <title>Here’s What Happened to Baby Jane </title>
 <link>http://www.observer.com/2008/o2/here-s-what-happened-baby-jane</link>
 <description><![CDATA[<!--paging_filter--><p>Reviewers searching for ways to describe the cabaret singer Baby Jane Dexter often use words like “garrulous” and “bawdy.” True, one hears traces of every barrelhouse belter from Lizzie Miles to Belle Barth in her blue-tinged Big Mama baritone, but since I first became aware of this formidable performer at old, defunct clubs like Eighty-Eights and the Firebird, I have rarely witnessed so profound a change in an artist’s style and repertoire. The refined folks who prefer soft, subtle, smoky voices like June Christy, Peggy Lee and Julie London may find her an acquired taste. God knows, she’s no Blossom Dearie. She’s not even a blossom. <span class='read-more'><a href="http://www.observer.com/2008/o2/here-s-what-happened-baby-jane">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/here-s-what-happened-baby-jane#comments</comments>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <pubDate>Tue, 18 Nov 2008 12:54:14 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">79031 at http://www.observer.com</guid>
</item>
<item>
 <title>Sissy the Great</title>
 <link>http://www.observer.com/2008/o2/sissy-great</link>
 <description><![CDATA[<!--paging_filter--><p><strong>Lake  City</strong><br /><em> Running time 92 minutes <br /> Written and </em><em>directed by Hunter Hill and Perry Mowore<br /> Starring<span> </span>Sissy Spacey, Troy Garity, Rebecca Romijn, Keith Carradine</em><br />
<p class="CULTURE3linedrop">Sissy Spacek could read her grocery list and hold my attention. So I am not surprised that her absorbing performance in <em>Lake City </em>makes an otherwise small, unexceptional little film seem a lot more important than it is. She’s a filmmaker’s best friend. Throw her some buckshot and she’ll convince you it’s caviar. </p>
<p class="text"><span>The filmmakers with a lot to be grateful for this time around are writer-directors Hunter Hill and Perry Moore, two transplanted Southerners who have based their movie on a traumatic childhood incident in Mr. <span class='read-more'><a href="http://www.observer.com/2008/o2/sissy-great">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/sissy-great#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/58466">Keith Carradine</category>
 <category domain="http://www.observer.com/taxonomy/term/44693">Rebecca Romijn</category>
 <category domain="http://www.observer.com/taxonomy/term/25642">Salt Lake City</category>
 <category domain="http://www.observer.com/taxonomy/term/58465">Sissy Spacey</category>
 <category domain="http://www.observer.com/taxonomy/term/48789">Troy Garity</category>
 <pubDate>Tue, 18 Nov 2008 12:39:47 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">79029 at http://www.observer.com</guid>
</item>
<item>
 <title>A Little Ditty </title>
 <link>http://www.observer.com/2008/o2/little-ditty</link>
 <description><![CDATA[<!--paging_filter--><p><strong>The Dukes</strong><br /><em> Running time 96 minutes <br /> Written by James Andronica and Robert Davi<br /> Directed by Robert Davi <br /> Starring<span> </span>Robert Davi, Chazz Palminteri, Miriam Margolyes, Frank D’Amico, Peter Bogdanovich</em><br />
<p class="CULTURE3linedrop"><span>Another modest comedy, <em>The Dukes </em>is about a has-been Hollywood doo-wop group popular in the 1960s, and the elaborate, sometimes larcenous things they do to make a comeback in 2007. Robert Davi, a rumpled-face actor who has made a career out of playing terrorists, thugs and villains, most notably Colombian drug lord Franz Sanchez in the 1989 James Bond thriller, <em>License to Kill</em>, makes his directorial debut with <em>The Dukes</em>, which he also co-wrote and produced. <span class='read-more'><a href="http://www.observer.com/2008/o2/little-ditty">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/little-ditty#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/58258">Chazz Palminteri</category>
 <category domain="http://www.observer.com/taxonomy/term/58260">Frank D’Amico</category>
 <category domain="http://www.observer.com/taxonomy/term/58259">Miriam Margolyes</category>
 <category domain="http://www.observer.com/taxonomy/term/36081">Peter Bogdanovich</category>
 <category domain="http://www.observer.com/taxonomy/term/58257">Robert Davi</category>
 <category domain="http://www.observer.com/taxonomy/term/58256">The Dukes</category>
 <pubDate>Tue, 11 Nov 2008 14:23:24 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">78617 at http://www.observer.com</guid>
</item>
<item>
 <title>Auld Lang Syne</title>
 <link>http://www.observer.com/2008/o2/auld-lang-syne</link>
 <description><![CDATA[<!--paging_filter--><p><strong>How About You</strong><br /><em> Running time 100 minutes<br /> Written by Jean Pasley<br /> Directed by Anthony Byrne<br /> Starring<span> </span>Hayley Atwill, Orla Brady, Vanessa Redgrave, Brenda Fricker, Imelda Staunton, Joss Ackland</em><br />
<p class="CULTURE3linedrop"><em><span>How About You </span></em><span>is a confection about Christmas in a senior citizen’s home in Ireland that has fallen on hard times. The feisty residents are impossible, the health department is threatening foreclosure, the staff has deserted the place like rats on the <em>Titanic</em>, and a young girl named Ellie (Hayley Atwill, who starred last year in Woody Allen’s ill-fated <em>Cassandra’s Dream</em>) finds herself left in charge while her unhappy, pragmatic older sister, Kate (Gate Theatre alumnus Orla Brady), who runs the place, eschews the responsibility and takes a week off to visit their ailing mother. <span class='read-more'><a href="http://www.observer.com/2008/o2/auld-lang-syne">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/auld-lang-syne#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/58252">Atwill</category>
 <category domain="http://www.observer.com/taxonomy/term/58254">Brenda Fricker</category>
 <category domain="http://www.observer.com/taxonomy/term/58251">How About You</category>
 <category domain="http://www.observer.com/taxonomy/term/38187">Imelda Staunton</category>
 <category domain="http://www.observer.com/taxonomy/term/58255">Joss Ackland</category>
 <category domain="http://www.observer.com/taxonomy/term/58253">Orla Brady</category>
 <category domain="http://www.observer.com/taxonomy/term/36491">Vanessa Redgrave</category>
 <pubDate>Tue, 11 Nov 2008 14:21:16 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">78616 at http://www.observer.com</guid>
</item>
<item>
 <title>The Spy Who Bored Me </title>
 <link>http://www.observer.com/2008/o2/spy-who-bored-me</link>
 <description><![CDATA[<!--paging_filter--><p><strong>Quantum of Solace</strong><br /><em> Running Time 106 minutes<br /> Written by Paul Haggis, Neal Purvis, and Robert Wade<br /> Directed By Marc Forster<br /> Starring<span> </span>Daniel Craig, Judi Dench, Mathieu Amalric, Olga Kurylenko</em><br />
<p class="CULTURE3linedrop"><span>James Bond movies long ago outgrew the original fun and thrills invented by Ian Fleming, and they’ve been coasting on noise and luck ever since.<em> Quantum of Solace</em>, the 22nd entry in the interminable franchise, is one of the most pointless, chaotic and forgettable of them all. It is also one of the dullest. </span></p>
<p class="text">The Bond checklist is always a bit like Mexican food—spicy and bloating for the moment, promising exotic locations, tech toys, outrageously expensive cars ready to be demolished at random, outrageous villains thinking up inhumanly monstrous tortures, secret agents navigating humanly impossible escapes, sexy girls wearing Band-Aids, and mindless satisfaction guaranteed. <span class='read-more'><a href="http://www.observer.com/2008/o2/spy-who-bored-me">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/spy-who-bored-me#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/31700">Daniel Craig</category>
 <category domain="http://www.observer.com/taxonomy/term/28338">Judi Dench</category>
 <category domain="http://www.observer.com/taxonomy/term/52527">Mathieu Amalric</category>
 <category domain="http://www.observer.com/taxonomy/term/58249">Olga Kurylenko</category>
 <category domain="http://www.observer.com/taxonomy/term/56259">Quantum of Solace</category>
 <pubDate>Tue, 11 Nov 2008 14:19:17 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">78615 at http://www.observer.com</guid>
</item>
<item>
 <title>Playing by Heart </title>
 <link>http://www.observer.com/2008/o2/playing-heart</link>
 <description><![CDATA[<!--paging_filter--><p><strong>The Guitar</strong><br />
<em>Running time 95 minutes<br />
Written by Amos Poe<br />
Directed by Amy Redford<br />
Starring Saffron Burrows, Paz de la Huerta, Isaach De Bankolé</em></p>
<p class="CULTURE3linedrop"><em><span class="c1">The Guitar</span></em><span class="c1"> is a modern New York fable about a woman simultaneously dumped by her boyfriend, fired from her job and diagnosed with inoperable cancer. At this point, what good are Reiki massages, guidance counselors and Hallmark cards? So mousey Melody (Saffron Burrows) short-term leases a loft penthouse, orders a Vera Wang bed, orders from every restaurant in Greenwich Village and maxes out her credit cards. Indulging in every childhood fantasy in a materialistic orgy sponsored by Visa, she becomes the envy of everyone trapped in a gray and meaningless world who would happily go on a rampage of luxury objects promising redemption if they could just afford it.</span> <span class='read-more'><a href="http://www.observer.com/2008/o2/playing-heart">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/playing-heart#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/58125">The Guitar</category>
 <pubDate>Tue, 04 Nov 2008 12:39:33 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">78167 at http://www.observer.com</guid>
</item>
<item>
 <title>Mean Streets </title>
 <link>http://www.observer.com/2008/o2/mean-streets</link>
 <description><![CDATA[<!--paging_filter--><p><strong>Gardens of the Night</strong><br />
<em>Running time 110 minutes<br />
Written and</em> <em>directed by Damian Harris<br />
Starring Gillian Jacobs, Evan Ross, Tom Arnold</em></p>
<p class="CULTURE3linedrop">Riding in on the crest of praise from assorted international film festivals, <em>Gardens of the Night</em> is another newfangled kind of horror movie, unsuitable for Halloween. No vampires here, and no slice-and-dice gore from the <em>Saw</em> franchise, either. The monsters are all people, as ordinary-looking as movie critics, but twice as lethal. This is a dossier on the ramifications of child abuse that leave perfect children emotionally destroyed for the rest of their lives. It is hard to watch, but worth every sobering moment because of the things you learn about one of life’s most grueling subjects. <span class='read-more'><a href="http://www.observer.com/2008/o2/mean-streets">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/mean-streets#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/58123">Gardens of the Night</category>
 <category domain="http://www.observer.com/taxonomy/term/58122">Gillian Jacobs</category>
 <pubDate>Tue, 04 Nov 2008 12:39:12 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">78166 at http://www.observer.com</guid>
</item>
<item>
 <title>The Holocaust Through the Lens of a Child </title>
 <link>http://www.observer.com/2008/o2/holocaust-through-lens-child</link>
 <description><![CDATA[<!--paging_filter--><p><strong>The Boy In The Striped Pajamas</strong><br />
<em>Running time 93 minutes<br />
Written and</em> <em>directed by Mark Herman<br />
Starring Asa Butterfield, Jack Scanlon, David Thewlis, Vera Farmiga, Richard Johnson, Sheila Hancock</em></p>
<p class="CULTURE3linedrop">At the movies, as in life, there is nothing more harrowing to think about or painful to observe than children in peril. At a time when a lot of people will not go near a film about the Holocaust, it’s quite brave to make a new one (there are three coming out before Christmas). <em>The Boy in the Striped Pajamas</em> shows an aspect of the greatest atrocity in the history of civilization through the eyes of children, which makes it doubly risky. <span class='read-more'><a href="http://www.observer.com/2008/o2/holocaust-through-lens-child">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/holocaust-through-lens-child#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/58120">Asa Butterfield</category>
 <category domain="http://www.observer.com/taxonomy/term/58119">Jack Scanlon</category>
 <category domain="http://www.observer.com/taxonomy/term/58121">The Boy in the Striped Pajamas</category>
 <pubDate>Tue, 04 Nov 2008 12:35:19 -0500</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">78164 at http://www.observer.com</guid>
</item>
<item>
 <title>Eek! AMC and TCM Pin Me to Sofa With Fright-Flick Marathon</title>
 <link>http://www.observer.com/2008/o2/eek-amc-and-tcm-pin-me-sofa-fright-flick-marathon</link>
 <description><![CDATA[<!--paging_filter--><p>Where have all the monsters gone? As a kid, I was gung-ho for Lugosi, Karloff and Chaney, not to mention Peter Lorre, Sydney Greenstreet and the rest of the more sophisticated Warner Brothers stock company turning out classy thrillers like <em>The Beast With</em> <em><span class="c1">Five Fingers</span></em><span class="c1">. Eventually, the legitimate monsters of my youthful mania turned into gruesome parodies in the air-conditioned, garishly colored trash that came out of England’s Hammer Films and the hysterical comic-book parodies from cheapjack American-International. I mean, let’s face it: Dracula, Frankenstein, the Wolf Man and the Mummy were master creations fashioned by the special-effects wizards at Universal, and are still often copied but never duplicated.</span> <span class='read-more'><a href="http://www.observer.com/2008/o2/eek-amc-and-tcm-pin-me-sofa-fright-flick-marathon">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/eek-amc-and-tcm-pin-me-sofa-fright-flick-marathon#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/52855">AMC</category>
 <category domain="http://www.observer.com/taxonomy/term/57990">Bela Lugosi</category>
 <category domain="http://www.observer.com/taxonomy/term/37114">Turner Classic Movies</category>
 <pubDate>Tue, 28 Oct 2008 14:56:34 -0400</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">77710 at http://www.observer.com</guid>
</item>
<item>
 <title>Great Scott</title>
 <link>http://www.observer.com/2008/o2/great-scott</link>
 <description><![CDATA[<!--paging_filter--><p><strong>I’ve Loved You So Long</strong><br />
<em>Running Time 115 minutes<br />
Written and</em> <em>directed by Philippe Claudel<span class="c1"><br /></span> Starring Kristin Scott Thomas, Elsa Zylberstein, Serge Hazanavicius</em></p>
<p class="CULTURE3linedrop"><span class="c2">In the solemn, touching French drama <em>I’ve Loved You So Long</em>, the bilingual British-born actress Kristin Scott Thomas, currently starring on Broadway in a much-overrated production of Chekhov’s <em>The Seagull</em>, returns to the screen, where she shines best. With mousey brown hair and not a speck of makeup, she plays Juliette Fontaine, a woman whose name delivers a more delicate lift than any of her disheartening experiences in life. Once a respected doctor from a good family, Juliette has lost everything she once held dear—her husband, her career, her child, her friends and her family.</span> <span class='read-more'><a href="http://www.observer.com/2008/o2/great-scott">&nbsp;read&nbsp;more&nbsp;&raquo;</a></span></p>]]></description>
 <comments>http://www.observer.com/2008/o2/great-scott#comments</comments>
 <category domain="http://www.observer.com/taxonomy/term/52402">Movies</category>
 <category domain="http://www.observer.com/channel/city">O2</category>
 <category domain="http://www.observer.com/taxonomy/term/57886">Elsa Zylberstein</category>
 <category domain="http://www.observer.com/taxonomy/term/39231">Kristin Scott Thomas</category>
 <category domain="http://www.observer.com/taxonomy/term/57887">Serge Hazanavicius</category>
 <pubDate>Tue, 21 Oct 2008 12:51:45 -0400</pubDate>
 <dc:creator>Rex Reed</dc:creator>
 <guid isPermaLink="false">77300 at http://www.observer.com</guid>
</item>
</channel>
</rss>
